Movie Characters Who Never Spoke A SINGLE WORDActions speak louder than words and nowhere is this truer than in the world of film. Some of the most memorable moments in cinematic history occur without a single word being uttered. The ability to convey an emotion or feeling with a single look, grunt or movement is paramount to what makes the cinematic experience so unique. Think about Al Pacino’s wandering eyes in The Godfather, as he sets about executing his father’s rivals and entering into a criminal world he can never escape from. Sometimes actions say everything but then sometimes there are characters in movies that can do and say so much to an audience without speaking a single world. They might be mute, they might be unable to speak. Then again, they may simply wish to keep silent.

Whatever the reason, these characters often stick out in the minds of moviegoers for the sheer fact they say nothing at all, yet play such an important role in proceedings. Watch Coco Avant Chanel HD 1080P. They aren’t homages to the great era of the silent movie – these characters have been given no voice for very specific, dramatic reasons. The writers and directors have a specific purpose for them and, more often than not, it’s an important one. Here are 1. 6 Amazing Movie Characters Who Never Spoke A Single Word.

Oddjob – Goldfinger. Jaws may be the big, scary, and (mostly) silent James Bond villain that first springs to mind when most fans think of awesome movie characters that never say a word.

But the big man totally blew it with Moonraker – a 0. That just leaves Goldfinger henchman Oddjob as the only Bond baddie to never speak a single word. Described by his boss, Auric Goldfinger, as “an admirable manservant but mute” , Oddjob does technically have four lines of dialogue in the film. They amount to little more that variations of the noise “ah” rather than any specific words, though. Played to perfection by actor and wrestler Harold Sakata, much of Oddjob’s menace stems from his strong and silent demeanor, as well as his attire and that bowler hat with the sharpened steel rim.

He’s a cold and highly effective killer. Michael Myers – Halloween. Imagine, for a moment, if Michael Myers had spoken in the first Halloween movie all those years ago; it just wouldn’t work. From the opening of John Carpenter’s original movie, when we see a six- year- old Michael stalk and kill his sister without saying a word, audiences are under no allusions — this is a very disturbed child. Part of what makes Myers such a frightening presence in that first film is that he stalks and kills without explanation, without emotion, without remorse. The utterance of even a single word would change that.

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Donald Pleasance’s Dr Loomis describes Myers as possessing a “blank, pale, emotionless face, and the blackest eyes… the devil’s eyes.” To have the character speak would undo so much of that chilling aura. He’s a monster and yet, somehow, he’s human like all of us.

It’s a brilliant portrayal that taps into our basest fears about serial killers. Kevin – Sin City. Robert Rodriguez’s original Sin City movie often gets overlooked when it comes to discussing the great comic book movies of our time. Yet his first outing has plenty to be commended about, not least in the inspired casting of Elijah Wood as Kevin. It was a role that required an actor capable of turning from a seemingly harmless character into a dangerous psychopath at a moment’s notice.

Wood, who would go on to showcase his penchant for playing psychos in Maniac, manages this balancing act well. What makes it all the more impressive is that he does it while staying completely silent throughout the film. A mute menace, Wood’s actions speak louder than any words, making Kevin a cold and sadistic cannibal killer who feels no remorse or pain, whether he is taking a life, or having his life taken from him. Mr. Shhh – Things To Do In Denver When You’re Dead.

Steve Buscemi has one of the most interesting faces in Hollywood. It’s not that he’s ugly, per se, more that his every feature seems to tell a story. Maybe that’s why he’s never been better as Mr. Shhh. He’s the silent assassin sent by Christopher Walken’s quadriplegic crime lord, “The Man With The Plan”, to dispatch the hapless crew led by Andy Garcia’s Jimmy The Saint in 1. Things To Do In Denver When You’re Dead. The gang is sentenced to death by Walken’s character following a bloodily botched mission, with the crime boss handing out a sentence of “buckwheats” to all the gang barring Jimmy, which amounts to death in the most gruesome and painful manner possible.

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It’s then down to Mr. Shhh to stalk and kill them, one by one, with the mere presence of Buscemi’s character on the screen a portent of doom. He’s the assassin who never fails until … well, watch the movie. Gromit – Wallace & Gromit: The Wrong Trousers. Every dual act needs a straight guy, and for Nick Park’s Claymation duo Wallace & Gromit, that role undoubtedly goes to the latter.

While Wallace is the fall guy, often found talking too much and not paying attention to what really matters, Gromit is his anchor and voice of reason – albeit without a voice of his own. Park utilizes every inch of Gromit’s face to illicit a reaction and, in doing so, generates big laughs on the screen. Gromit’s standout movie remains The Wrong Trousers, in which our canine hero finds himself usurped by a mysterious penguin, who movies into Wallace’s house and has sinister designs on the trousers he has invented to walk Gromit every day. Clever, funny and with a few knowing film parodies thrown in for good measure, Gromit is the glue that holds it all together, with the character showcasing the full range of emotions. One- Eye – Valhalla Rising. Nicolas Winding Refn recruited his old chum Mads Mikkelsen for the brutal role of One- Eye, a mute Viking- era slave, in the bloody but brilliant Valhalla Rising. Refn rarely does things the easy way, and it’s the same with this movie, which amounts to a very violent adventure drama that revolves around the bond between One- Eye and the young boy who gives him food and water until he escapes slavery.

For a film that touches on the rise of Christianity in the Scottish Highlands, it’s interesting to note that the two characters are bound by an unspoken faith in one another. The film makes for an interesting religious allegory, as well as a bloody and brutal buddy picture – the boy speaks for both of them, while One- Eye fights for both of them. The Xenomorph – Alien. Ridley Scott’s seminal 1. While Aliens delivered Xenomorphs by the bucket load, Scott’s original drip- fed viewers glimpses of the titular Alien, and was all the better for it. Even then, those brief glimpses of the film’s central antagonist needed to be pitch perfect. Credit for that goes to the late Bolaji Badejo, who did a fine job as the Xenomorph, only seen in glimpses throughout the film and rarely heard.

Anything audible only amounts to a hiss or snarl here and there. The power of Badejo’s performance stems from his sheer physicality. Standing tall at 7’2, he was a truly imposing figure as the Xenomorph, which only added to the dread and threat that surrounded the character. Sadly, Badejo passed away at the age of just 3. December 1. 99. 3 from sickle cell anaemia.

The Magic Carpet – Aladdin. With Robin Williams’ Genie and Gilbert Gottfried’s Iago dominating things on the comedy front throughout Disney’s Aladdin, some of the movie’s other side characters took on altogether different, but similarly important, roles.